I
absolutely LOVED Jacqueline Woodson’s The
House You Pass on the Way. It is the
first book I have ever read about an interracial family. I also loved this book for all of the issues
that it brings up such as: family, race,
love, sexuality, and the coming-of-age story.
That is all the more reason why I have greatly enjoyed the multicultural
portion of this class. I have the
opportunity to read books that are new to me, challenge my thinking, and
broaden my perspectives.
I
can relate to Stagerlee and her family because my immediate family also dealt
with a similar situation. When my
sister, who is white, began to date a black boy when she was in high school, my
mother’s family “disowned” my family.
Seven years passed between us before they would talk to us again. Now my sister is married to a Bulgarian man,
and they have a child. Her interracial
marriage and interracial child are approved by my mother’s family because the
man is not black. Even though there is communication
now among my extended family, things have never returned to the way they used
to be. I can definitely relate to the
isolation that Stagerlee’s family feels.
One
of my favorite parts of the book is the very end when Stagerlee is thinking, “They
were both waiting. Waiting for this
moment, this season, these years to pass.
Who would they become? She wondered.
Who would they become?” (Woodson, 1997, p. 99). I think this is how most young adolescents
feel. It may even be how some adults
still feel. You live your life aspiring
to be the person you are meant to be. Who
will that person be? How do you know
when you have arrived? Are we at a place
in our lives where we are just passing on the way? I would like to think so! On our journey to become future teachers, we are
passing by many places that are making us stronger, wiser, and more
understanding.
The
article Who Can Tell My Story? by Jacqueline
Woodson addresses the importance of writers telling their stories. For a story to be one of true cultural
authenticity it must be a story that the author has experienced or lived in
some form. As Woodson (2003) points out
maybe those “experiences and the memories have filtered through [them] to us
and by extension become our own…But if I take the beauty of these works and
filter my own experience through them, I can create something that is mine” (p.
42). Woodson (2003) also states, "My belief is that there is room in
the world for all stories, and that everyone has one. My hope
is that those who write about the tears and the laughter and the language in my
grandmother’s house have first sat down
at the table with us and dipped the bread of their own experiences in our stew" (p. 45).
I
love the image that Woodson left in my mind!
This is what creating authentic stories are all about…learning to walk
in someone else’s shoes or to dip your bread into their stew.
The
story about Ben was an intriguing one, and I appreciated David’s perspective on
slavery. The struggles, concerns, and
fears have been present between blacks and whites for a long time. Lester (1971) points out, “But that is how it
is with people, isn’t it? We spend our
lives not really knowing what we think and feel, afraid that if we do, it may
totally disrupt our lives” (p. 62). This sentiment is true of people no matter
what skin color they wear. This is how
Stagerlee felt in The House You Pass on
the Way. If you never process your
thoughts and feelings, you never have to deal with those thoughts or feelings. Is it easier or harder to live life that way? That is something to ponder about on a later
day.
In
the article Cultural Politics from a
Writer’s Point of View by Katherine Paterson, she makes a statement that
sums up my take on multicultural literature so far. Peterson (1994) states, "So, no, my books will never be
politically correct- that is, they will always run the risk of offending someone. My characters will never be blameless role
models for today’s children
and youth. They and their stories will
invite disappointment or even disapproval from left, right, and center- In short, from any
reader who looks to fiction to support a point
of view rather than to mirror human experience" (p. 91).
Multicultural
literature is about presenting different perspectives on life and telling the
story from someone else’s shoes. I have
no doubt that there will be books that will offend me and books that I just
will not like, but that does not mean that I will not take away something from
every book that I read.
*(I realize that the references are not in the correct font or indented correctly...I could not make blogger cooperate with me in the correct form)*
Lester,
J. (1971). Ben. The
long journey home: Stories from black history. (pp. 60-88). New York, NY:
Dial.
Paterson, K. (1994). Cultural politics for a
writer's point of view. New
Advocate, 7(2), 85-91.
Woodson, J. (1997). The house you pass on the way. New York,
NY: Delacorte Press.
Woodson, J. (2003). Who Can Tell My Story? In D. L. Fox & K. G. Short (Eds.), Stories matter: the complexity of cultural
authenticity in children's literature (pp. 41-45). Urbana, IL: National Council of Teachers
of English.